The Anthony Shaw Space at the Centre of Ceramic Art Re-Opens Following Re-Display By Tessa Peters
18 November 2016
CoCA is a new national resource which aims to encourage greater understanding and enjoyment of British studio ceramics. Formed mainly of large gifts from significant private collections and supported by extensive archives, CoCA presents exhibitions, displays, new acquisitions and commissions.
The Anthony Shaw Collection retains its special character as a collection responsive to innovation in the field of British ceramic art. A new display of his collection of ceramics and art has been created by independent curator Tessa Peters and opened on Friday 18 November 2016.
In making the selection, Peters has chosen to include a number of Anthony Shaw’s most recent acquisitions, from Gordon Baldwin, Kerry Jameson, Nao Matsunaga and Sara Radstone, while considering their relationships to earlier works, both their own and with those of other significant figures such as Ewen Henderson and Gillian Lowndes.
Ceramics, paintings, sculptures, textiles and souvenirs sit together harmoniously within the domestic-style space created by Anthony Shaw and designer Martin Smith. In her display, Peters demonstrates how personal collections can continually transform our homes.
Anthony says: “I had a dream and it came true. A private space set within a public one. I wanted the visitor to experience the great pleasure and joy of living with the objects that I have had, with as little between them and the works so they feel really ‘with’ the art, rather than onlookers. How they experience it is all important, sensing the ‘felt’ nature of the collection is vital.
“On my many trips to the gallery, meeting a great variety of visitor, there has been a very positive reaction to what we are trying to do. York Art Gallery have been very courageous in backing and allowing this form of display. In my dream, the closer we got to opening, I saw ropes across entrances, not allowing access within the space except for controlled and limited occasions. Having a marvellous team of volunteers has meant that it remains open to all, all of the time.
“The intention with my display was to give an idea of the whole collection and particularly the main artists. I am aware that for many this is the ﬁrst time they will have come across a great deal of this work. With the main artists I have been very lucky in following them for much of their careers and having examples of their work over long periods.
“Having said before that the collection is ‘painting in another form’ there are many drawings and paintings by the main artists. Art is all important, rather than the medium, and I think it helps to explain the character of the artists, to display objects and 2D works together. As much as I love clay, it is the way it has brought this group of artists together that fascinates me.
“Our next display, curated by Tessa Peters, I expect will be very different. I learn most about the collection from the way others see it. I also learn when discussing it with visitors. Instinctively bought with a totally non-academic approach, for me the new work is very much a beginning, each time, leading me in directions that I do not control. All I sense is that there is much to search out. So I eagerly look forward to seeing Tessa’s vision of the different characters and their work and how they ﬁt together.”
Tessa says: “The Anthony Shaw Collection, on long term loan to York Art Gallery, retains its special character as a collection responsive to innovation in the field of British ceramic art.
“In making my selection for the new display, I have therefore been able to include a number of Anthony Shaw’s most recent acquisitions from Gordon Baldwin, Kerry Jameson, Nao Matsunaga and Sara Radstone, to name just a few, while considering their relationships to earlier works, both by the same artists and with those of other significant figures such as Ewen Henderson and Gillian Lowndes.
“When forming his collection Shaw has made no hierarchical distinction between art forms; for him matters of sensitivity to material and creative vision have clearly been paramount, so that paintings, sculptures, textiles and souvenirs will also be prominent features of the display.
“For me, it has been an enormous privilege to have been invited to work with such a major collection, and to have the chance to share so many fascinating discoveries.”
The Anthony Shaw Space is open daily at the Centre of Ceramic Art, York Art Gallery. Please visit our website for more information.